In the News
Our faculty members garner local, national, and international praise.
John Gery's new collection of poetry, Have at You Now! (CW Books), has been nominated for a Pushcart Prize. The book has been adopted at
the State College of Florida as core text for the Spring 2015 general humanities curriculum.
New poems by John appear or are forthcoming in Micarea Literara (Bucharest, translated into Romanian), The Maple Leaf Rag 5, and New Laurel Review. His essay, "An American in Venice: Ezra Pound in 'the Forest of Marble,'" appears
in the collection, Affirming the Gold Thread: Aldington, Hemingway, Pound & Imagism in Torcello and Venice, edited by Matthew Nickel and H.R. Stoneback, and his review of two volumes of critical
essays, Cold War Literature: Writing the Global Conflict (2006) and Global Cold War Literature: Western, Eastern and Postcolonial Perspectives (2012), both edited by Andrew Hammond, is forthcoming in the Journal of Cold War Studies.
John's article, "Paradise, Compassion and Jên2 in Canto 93," delivered as a plenary
address at the 25th Ezra Pound International Conference, Trinity College Dublin (2013),
has been accepted for a volume of essays on Pound and Modernism forthcoming from AMS
Press. In June of this year, John delivered the opening address, "'The Spirit of Utter
Fidelity': Ezra Pound and Translation," at the symposium, Translating Modern American
Poetry, at the University of Roma Tre in Rome, as well as the closing address (his
essay on Pound in Venice) at the Richard Aldington/Imagism conference in Venice
Elizabeth Lewis' essay, "Naturalism, Social Dance and the Evolution of Identity in Chopin and Cather" was published in Volume XXIV (2014) of Excavatio: International Review for Multidisciplinary Approaches and Comparative Studies
related to Emile Zola and his Time, Naturalism, Naturalist Writers and Artists, Naturalism
and Cinema around the World.
Catherine Loomis has been invited to deliver a lecture on Queen Elizabeth I at the University of Alabama
(as long as she promises not to wear LSU purple). Alabama’s Hudson Strode program, dedicated to the study of Shakespeare and early modern culture, invites scholars
from all over the world to speak to their graduate students. Dr. Loomis has also
delivered guest lectures at the University of Nebraska, the University of North Texas,
Southeastern University, and Brigham Young University. She has given talks in New
Orleans to local book clubs, high school classes, and the English Speaking Union.
Doreen Piano's essay "Writing in the Cone of Uncertainty: An Argument for Sheltering in Place" was published in the September 2014 issue of College Composition and Communication. A book chapter she is working on titled "Boost or Blight?' Graffiti Writing and
Street Art in the 'new' New Orleans" will appear in the Routledge Handbook on Streetart
and Graffiti, edited by Jeffrey Ross, published in 2015. She is collaborating with
UNO librarians Gena Chattin, Florence Jumonville and Jeanne Pavy to digitize the Writing
After Katrina Archive Project, a collection of student papers written in English classes
after Hurricane Katrina. In spring 2015, she will be teaching a visual rhetoric seminar,
using New Orleans as a case study for investigation based on her research. She is
currently Interim Director of Women and Gender Studies.
Zhaoming Qian has been awarded a grant from the Chinese Academy of Social Sciences (in the amount
of ¥180,000) in support of his new critical book Ezra Pound among Chinese Talents. The grant has enabled him also to complete a centennial edition of Ezra Pound’s
early masterpiece Cathay, with transcripts of its source Ernest Fenollosa’s Chinese poetry notes. Both the edition
and the new critical book are forthcoming this year, the edition from New Directions
and the critical book from China’s Central Compilation & Translation Press. His edition
of Cathay with a new foreword by Pound’s daughter Mary de Rachewiltz is slated for September
2015 and his EzraPound among Chinese Talents for October 2015. In 2013-14 Zhaoming traveled widely for invited lectures as well
as for fun in the Far East—Singapore, Hong Kong, Taiwan, mainland China, and East
Coast of the U.S. In two years he published, in addition to a conference volume—Modernism and the Orient from UNO Press, a dozen articles. These include (1) “Mai-mai Sze, the Tao, and Moore’s
Late Poetry,” Paideuma 40 (2013): 349-68; (2) with Ou Rong, Death of a Salesman in Beijing Revisited,” The Arthur Miller Journal 8.2 (2013): 57-76; (3) “The Genesis and Undercurrent of Ezra Pound’s Naxi Cantos,”
Comparative Literature in China 3 (2013): 83-95; (4) “Tao Goes West: Moore and Sze in Collaboration,” English & American Literary Studies1 (2013): 202-13; (5) with Chen Lizhen, “Politicization of Confucianism: Debate and
Friendship between Ezra Pound and Yang Fengqi,” Journal of Hangzhou Normal University 1 (2014):101-107; (6) with Ou Rong, “Ezra Pound’s Collaboration with David Wang,”
Foreign Literature Studies 2 (2014): 48-56; (7) with Guan Nanyi, “Tse-chiang Chao and the Guanzi in Pound’s Cantos,” Comparative Literature in China 2 (2014):114-126; (8) “Pictures from Brueghel: Tang Poetry and Williams’ Return to Minimal, Spatial Design,” Foreign Literature 3 (2014): 34-43; (9) with Ou Rong, “Achilles Fang: Pound’s Chinese Friend behind
Rock-Drill,” English & American Literary Studies 3 (2014): 202-13; (10) with Ou Rong, “Achilles Fang and Ezra Pound’s Late Confucian
Translations,” Journal of Zhejiang University 6 (2014):101-107; (11) “The World of the Na-khi,” Make It New 2 (2014); (12) “Chan [Zen] in Wallace Stevens Early Poetry,” Foreign Literature Review 1 (2015).
Anne Boyd Rioux is happy to announce that her biography of Constance Fenimore Woolson is set to be
published by W. W. Norton in February 2016. In the meantime, she is working on the
final revisions, negotiating the publication of a collection of Woolson's stories,
and planning the next Woolson Society conference, to be held in Washington, D.C., in February 2015.
David Rutledge has edited and contributed to two anthologies about post-Katrina New Orleans: Do You Know what it Means to Miss New Orleans? (2006) and Where We Know: New Orleans as Home (2011), both from Chin Music Press. He also published a book about Vladimir Nabokov, Nabokov's Permanent Mystery (2011, McFarland Press). He has taught seventeen different courses during his fifteen
plus years at UNO. Most recently, he published a short story in The Monarch Review.
Bob Shenk's book, America's Black Sea Fleet: The U.S. Navy Amidst War and Revolution, 1919-1923, was published by the Naval Institute Press in 2012. Bob happened upon this topic
while co-authoring a biography of a naval officer who also wrote fiction (Admiral
Dan Gallery) and who had spent six months in Constantinople (modern Istanbul) in 1922.
An excerpt from Bob's book appeared in Naval History magazine in February of 2013.
Also, based upon his description in his book of the massacres and death marches inflicted
upon the Greeks of the Turkish region called the "Pontus"—terrible sufferings reported
at the time by American naval officers—Bob has recently given invited talks in Chicago,
New York, and Washington DC to Greek Pontus organizations. In another area of study
(biblical criticism), a leading conservative intellectual journal called Modern Age has recently accepted an article of Bob's entitled "The Angels of Ecclesiastes,"
to be published sometime in 2014-15.